The work was presented as documentation.
It continues through viewing, circulation, and memory.
Traces in perception
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Documentation on view
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Online traces: Instagram
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Letters of Water
2025, traces of the work2025
Aranyalmás Rácalmás – The Golden Apples of Rácalmás
2025, Golden ApplesGolden Apples: a visual poem in five episodes
Created for the 5th International Symposium of Land Art, 2025 | Rácalmás, Hungary
About the project
Aranyalmás Rácalmás (Golden Apple Rácalmás) is a site-specific visual poem exploring memory, dreams, and transience. The project’s name plays with Hungarian words: Rácalmás is a town whose name contains the word “apple,” and Aranyalmás adds the image of a “golden apple,” a rare fruit symbolizing the uniqueness and value of the place.
The series unfolds in five episodes, where golden apples guide the visitor through questions of presence, attention, and letting go. Each episode combines objects, gestures, participatory actions, and photography to create ephemeral narratives across the island and the bridge.
Prologue
On the island, among trees and grasses, the promise of paradise appears both evident and hidden.
Every apple becomes a question, a memory, a dream, and a treasure.
Some apples embark on a journey along the water, carried by currents of life and time; others remain, waiting to be discovered.
This project is about transience, choice, and transformation, and how we preserve and reshape memories.
Episodes Overview
Episode 1. Almák-Álmok / Apples-Dreams
Apples are the fruits of nature. Dreams are the hidden fruits of the soul.
Golden apples are hidden on the island among roots and driftwood. To those who find them – joy.
Episode 2. Álomfogó – Almafogó / Dreamcatcher – Apple Catcher
A special catcher gathers dreams and wishes. Visitors can tie pebbles, feathers, or knots to its threads, leaving traces of their own stories.
Episode 3. Fűggöny / Grass Curtain
Grasses woven into a mat frame a golden apple at the center – the heart of the island. Visitors can photograph through the golden apple, capturing fleeting moments.
Episode 4. Különleges? / Something Special?
Among a hundred crumpled paper balls, a golden apple shines in the sun. This object invites reflection on how we seek the special and how it transforms perception.
Episode 5. Híd álma – Hét alma / Dream of the Bridge – Seven Apples
Seven golden apples are cast into the water from the bridge, drifting away like dreams released into the flow of life. Visitors witness the happening and the act of letting go.
Process
The project was created during August 12–19, 2025 in Rácalmás, Hungary, as part of the symposium dedicated to Sándor Márai’s The Herbalist and in homage to the work of Mária Bartuszová.
An artist book documents the visual poem and the process of the Golden Apples project.
Exhibited at
- “Bridge” exhibition, 2025, Rácalmás, Hungary
- “In the Footsteps of Time” exhibition, 2026, Várnegyed Galéria, Budapest, Hungary
Letters of Water
2025Káptalanfüred, Hungary
site-specific action
Letters of Water unfolds as a temporary action.
Water is used to draw on stone.
The image appears and disappears.
The remaining water is carried back to a dried lake.
The work exists as an act of return.
It continues as traces in memory, in space, in attention.
Material
Action
Trace
Disappearance
Transfer
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Release
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THE ANGLE OF VIEW or Fence becomes stairs
2002, 2024, 20252002 / 2024 / 2025
object, ready-made, action
A fence stops you.
A staircase invites you to move.
The same structure can be both.
At 90°, the fence becomes a staircase.
Opposites transform into each other when the angle of view shifts.
First realized in 2002.
The work continues.
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To understand — one must walk
2025, contemporary, Environmental Performance, Landscape Intervention, R², Revealed RealismTotal Landscape Experience
11.05.2025
Kőszikla Szurdok, Hungary
This exhibition does not take place inside a gallery. It begins on a path.
We walk deep into a gorge — a space shaped not by human hands, but perceived as an exhibition. Nature here is not a backdrop, but a co-author. We enter a narrative where every step is part of the installation.
This is an initiation route: collapsed trails, a stream that speaks with the voice of the past, fallen trees composing an invisible script. We must slow down, lean on overhanging roots, walk “not in our own shoes.” Through embodied participation, we become part of the exhibition.
At the journey’s end is a round rock niche — a stage, a theater of memories. Within it lies a mirror, buried beneath dust. Clear it away, and you will see yourself. Or rather, who you have become by walking this path.
Key “exhibits” :
- Embracing Transition — the moment when the past ceases to define the route.
- Working with Absence — where emptiness becomes the theme and medium.
- New Tactility — discovering the world’s textures as an artistic language.
The “Reflection Hall” — the journey’s climax. Nothing is added here except the mirror beneath the sand. We are the main exhibits. Yet the way back is closed: the only exit is upward — a vertical ladder, stairs, daunting but leading to liberation.
We have walked this path together. Will you walk it with us?
Απουσία / Απ’ ουσία
20252025
installation, participatory action, living archive
A reading corner appears ordinary.
A table.
A chair.
A stack of newspapers.
Something is missing.
But the newspapers cannot be read.
Parts of the text are missing.
Images disappear.
Words are cut away.
The absence is not empty.
It becomes a space where meaning is reconstructed.
Words disappear.
Images disappear.
The empty spaces begin to speak.
What disappears?
What remains?
The viewer enters the work.
Reading becomes searching.
Looking becomes interpretation.
The absence becomes visible.
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Absence becomes a space for imagination.
A place where what is missing
begins to matter.
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The work continues through absence.
The work continues through what is missing.
The work continues through participation.
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Proofs of Presence: Living Archive
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