The work was presented as documentation.
It continues through viewing, circulation, and memory.

Traces in perception

—

Documentation on view

—

Online traces: Instagram

___

object, ready-made, action

At 90°, the fence becomes a staircase.

The object remains the same.
The perception does not.

“… What could be simpler than turning a solid fence into a staircase? (…)All it takes is a little goodwill and inventiveness. But do we all have that?..”
— Yulia Filippova, Ural Worker, 2002

Exhibited:
– Crossing Borders, 2024, Beka 9, Slovenia
– Eurasian Syndrome, 2002, Museum of Fine Arts, Yekaterinburg

______________

– Catalogue, Eurasian Syndrome, 2002
– Ural Worker, August 24, 2002
– Festival booklet, Crossing Borders, 2024

The work continues through action.

The work continues without action.

No transformation occurred.
Only its recognition.

Museum of Fine Arts, Yekaterinburg, Russia
Christmas Inside Me, 2006
“Art Tree”, live action format

A stepladder.
A body in balance.
Hands placing objects that cannot be seen.

The tree appears through movement.

Press and documentation

“For almost an hour, the artist moved up and down a stepladder, hanging non-existent ornaments on a non-existent tree. The jury called it a ‘conceptual miracle’.”
— Daria Loshakova, IA Apelsin, 2006

“The tree is invisible — it can only be felt.”
— Olga Gentseleva, Vesti Ural, 2006

Recognition

The work was sold at a charity auction.

Archival links

– Museum.ru article (archived, 2007)
– Ural Art Museum archive (2008)

Yekaterinburg, Russia, 2002
Urban intervention / Public art

“Corridor” (from currere — Latin, “to run” or “to go”) is a site-specific urban intervention in which everything within a walking path of at least 25 steps is painted in a single pure color: houses, pavement, trees, grass, soil, and other elements. The result is a visual and emotional shift: the colored zone changes not only how the city looks, but also how it feels.

In this iteration, the color yellow was used. Even in bad weather, the space appeared sunlit and joyful. The project invited people to experience the city through a new lens.

“Corridor” was realized on September 26, 2002, during the international urban art festival A_REAL001: Art in Public Spaces, organized by the State Center for Contemporary Art (GCSI), Yekaterinburg branch. The festival explored the theme “Mythology for the City” and focused on re-urbanization through cultural action. Curated by Arseny Sergeev, Nailya Allakhverdiyeva, and Tatyana Vetluzhskikh.

Artist’s Note:
I wanted to mark a passage: not just a path, but a shift in perception.
When you step into a space where even the grass and asphalt are the same bright color, your body reacts: the city becomes less neutral.
It’s about tuning your attention like walking through a thought.

Press and documentation