I move through the space between, where past and present, myth and reality, visibility and disappearance touch and dissolve.

My work traces what slips away: gestures, materials, moments, attending to the fragile thresholds where presence fades.

Using simple, often found materials, I allow them to transform over time. Worn edges, weathered surfaces, and organic decay become part of my visual language, marking the passage of time and the instability of memory.

Through ephemeral gestures, objects, and site-specific interventions, I invite viewers to shift their perception of materials, boundaries, and narratives. A fence can become a ladder. The unnoticed can become meaningful.

My practice draws on myth and folklore, not as nostalgia but as living forces that reshape cultural memory. I work with methods such as Revealed Realism, Betweenness, and Design of Remembrance, revealing hidden layers embedded in landscapes, gestures, and silences.

At the core of my work lies a question: What remains? What disappears? And what do we choose to carry forward in memory?